What is going on with Sesame Street?

I didn’t watch a whole lot of Sesame Street growing up, so for all I know, it’s always been this weird.  But I keep stumbling on these strange videos from the show.

First came the Katy Perry collaboration, which, while still available online, was pulled out of the television episode in which it was supposed to appear.

I mean, I know they’ve done stuff like this before (I fondly recall Feist’s appearance from a couple of years ago), but Katy Perry seems like an odd choice.  Don’t get me wrong; I’m a fan of hers, and I don’t really think there is anything wrong with this.  But as soon as I saw her outfit and thought for a second about the unaltered lyrics of her honestly-not-Sesame-Street-appropriate songs I knew that people would be up in arms about it.  Don’t the good folks over at the Children’s Television Workshop know how much people love to have fits of hyperventilation about stuff like this?

Then today I saw their parody of True Blood.  It’s more benign than the Katy Perry performance, I guess, although I’m sure people can find something in it to complain about (vague vampire references = sacrilegious?).  I was more just baffled by it.

I mean, I guess ostensibly we’re learning about rhyming?  Is that the point?  All I really took away from it was that grouches like mud.  I know they know more about education than I ever will, but it seems like we might be worrying too much about entertaining the adults watching along with their children here.

[via Best Week Ever]

[Update: Flavorwire has 10 additional Sesame Street parodies, including Mad Men and 30 Rock.]

The Emmys, 2010

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Here we are again.  Another award show, another winner-picking competition between me and my new wife, Johanna.  And after slogging through a few shows that, while fun, were ultimately inconsequential (The ESPYs, The Daytime Emmys, and the MTV Movie Awards) we finally have a big one: The Emmys.

This has traditionally been my award show of choice; I’ve always been more of a television guy than a movie guy, I guess.  Plus, I don’t usually get around to seeing many of the nominated films before the Oscars, whereas I’m always pretty invested in the Emmys and opinionated about the categories.  It feels like the recent golden age of television has faded a bit, and my interest has waned slightly, but this remains my favorite masturbatory Hollywood event.

Tonight is big for Johanna, too.  My friend Alex, in anticipation of tonight’s competition, asked me if Johanna had won any of these.  I quickly said that yes, she had.  While I knew I had taken the last few, I thought we were actually pretty even.  Having gone back to check, though, I’m surprised to report that I won The Grammys, The Academy Awards, The MTV Movie Awards, The Daytime Emmys, and The ESPYs, with Johanna only claiming the Golden Globes, the first one of these we did.  I’m up five to one!  She needs a win.  In preparation, she’s been scouring the internet for expert predictions.

As always, we choose for the most part whom we think will win, not whom we want to win.  Never is that more true than with the Emmys; trust me, I’m no fan of The Good Wife or, heaven forbid, Glee.  Categories and winners are in bold.  Johanna has concocted an Emmy cocktail containing peach vodka, Sprite Zero, and a splash of grenadine.  She’s named it the “Leading Lady.”  It’s better, both in name and taste, than the drink she fixed us for the Daytime Emmys.  Let’s do this.

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7:41 – Taco night is over, the red carpet has begun, and I’m filling out my ballot.  All of these interviews are so unbelievably awkward and cringe-worthy.  I instinctively reach for the mute button.

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8:00 – Here we go.  We’re opening with a shot of the director’s booth.  This is such an ego move; it’s like they think we’ll assume the show was put together by elves if they don’t show themselves.  Johanna just thinks it’s hacky and compares it to starting a school paper with a Webster’s definition.

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