OK, OK, Dexter is a BIT formulaic.

Granted, I pretty much know what to expect from a season of Dexter at this point, but it’s generally fun enough to keep me watching.  When you see all of its repetitive plot devices and character tics recreated in one eighty second spoof, though, it does make the show look a tad ridiculous.

Great job, LandlineTV, whoever you are!  This is my favorite Dexter parody since Showtime aired that full, 12 episode fake season 3 back in 2008.

Wait, that was real?  The whole thing, even the Jimmy Smits stuff?  No way!

[Via Urlesque]

The Emmys, 2010

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Here we are again.  Another award show, another winner-picking competition between me and my new wife, Johanna.  And after slogging through a few shows that, while fun, were ultimately inconsequential (The ESPYs, The Daytime Emmys, and the MTV Movie Awards) we finally have a big one: The Emmys.

This has traditionally been my award show of choice; I’ve always been more of a television guy than a movie guy, I guess.  Plus, I don’t usually get around to seeing many of the nominated films before the Oscars, whereas I’m always pretty invested in the Emmys and opinionated about the categories.  It feels like the recent golden age of television has faded a bit, and my interest has waned slightly, but this remains my favorite masturbatory Hollywood event.

Tonight is big for Johanna, too.  My friend Alex, in anticipation of tonight’s competition, asked me if Johanna had won any of these.  I quickly said that yes, she had.  While I knew I had taken the last few, I thought we were actually pretty even.  Having gone back to check, though, I’m surprised to report that I won The Grammys, The Academy Awards, The MTV Movie Awards, The Daytime Emmys, and The ESPYs, with Johanna only claiming the Golden Globes, the first one of these we did.  I’m up five to one!  She needs a win.  In preparation, she’s been scouring the internet for expert predictions.

As always, we choose for the most part whom we think will win, not whom we want to win.  Never is that more true than with the Emmys; trust me, I’m no fan of The Good Wife or, heaven forbid, Glee.  Categories and winners are in bold.  Johanna has concocted an Emmy cocktail containing peach vodka, Sprite Zero, and a splash of grenadine.  She’s named it the “Leading Lady.”  It’s better, both in name and taste, than the drink she fixed us for the Daytime Emmys.  Let’s do this.

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7:41 – Taco night is over, the red carpet has begun, and I’m filling out my ballot.  All of these interviews are so unbelievably awkward and cringe-worthy.  I instinctively reach for the mute button.

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8:00 – Here we go.  We’re opening with a shot of the director’s booth.  This is such an ego move; it’s like they think we’ll assume the show was put together by elves if they don’t show themselves.  Johanna just thinks it’s hacky and compares it to starting a school paper with a Webster’s definition.

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Television, 2000-2009

This has been a great decade for television, so much so that the list of my favorite shows of the decade pretty much doubles as the list of my favorite shows of all time.  Other than Seinfeld and the nineties-era Simpsons, I’m struggling to think of a pre-2000 show that would make the cut.  It’s amazing how far television has come as a medium over the past ten years.  Anyway, here they are, not the best, necessarily, but my favorite shows, 2000-2009 (clips when available and appropriate):

30) Sealab 2021 (Adult Swim, 2000-2005)

A bizarre show for a bizarre decade.

(I couldn’t get the embed code from Adult Swim to work for my favorite clip for some reason, so here’s the link. If I can figure it out, I’ll fix it.)

29) Extras (HBO, 2005-2007)

It’s not The Office, obviously, and parts of the series finale were painfully earnest.  But Ricky Gervais (on television, at least) is always worth my time, and about half of the guest stars were hilarious.

28) The “House” Series (Frontier, Colonial, etc.) (PBS, 2000-2006)

It’s almost always entertaining to watch the types of people who sign up for reality television on PBS.  For instance, Michelle Rossi-Vorhees, of Colonial House, is simultaneously attempting to recreate the life of a female pioneer in 1628 while staying true to her 21st-century ideas about feminism and atheism.  In doing so, she basically undoes the premise of the show, but it makes for great drama, and the PBS veneer allows viewers to pretend that it’s not just a higher-class Wife Swap.  Very sad that there hasn’t been a new installment since 2006.

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